Rekonstruksi Tari Badhaya Endhol-endhol di Keraton Kasunanan Surakarta Hadiningrat

Artikel oleh Kazia Putri Herawati, Nanik Sri Prihatinia, ISBI Bandung

Kata kunci: tari bedhaya endhol-endhol, rekontruksi, otoritas, Gusti Kanjeng Ratu Wandasari

Sumber pengambilan dokumen: RJ 2018 PAN XX VIII 2

Relasi:

Dibuat: 11 Februari 2019

Abstraksi

tari Badhaya endhol-endhol yang khusus di tarikan oleh putri-putri raja diciptakan oleh raja Pakubuona X . sejak beliau wafat tari ini tidak pernah di pentaskan dan bentuknya pun tidak dikenal lagi. penelitian ini bertujuan mengungkap proses rekontruksi tari bedhaya endhol-endhol dan mendeskripsikan wujudnya yang telah di lakukan oleh Gusti Kanjeng Wandan Sari. Metode penelitian yang di gunakan adalah metode kualitatif dengan pendekatan etnokoreologi. hasil penelitian meliputi proses rekontruksi mencakup konsepnya, proses penggalian meliputi gending dan gerak tarinya. pada proses penataan dilakukan interpretasi mengenai semua komponen yang membentuk tari bedhaya endhol-endhol untuk mewujudkan tari bedhaya yang mbocahi. wujud tari bedhaya endhol-endhol hasil rekontruksi menunjukan bahwa dengan otoritasnya Gusti Kanjeng Ratu Wandan Sari telah mengembalikan tari yang sempat hilang.


The Bedhaya Endhol-endhol dance was created by Paku Buwono X and performed exclusively by the king-s daughters. After his death, the dance was no longer performed and its form was no longer known. The goal of this research is to reveal the process of reconstruction of the Bedhaya Endhol-endhol dance, as carried aout by Gusti Kanjeng Ratu Wandansari , and to describe the form of the dance. The research method used is a qualitative method with an ethnochoreological approach. The result of the research show the process of reconstruction, including the concept and the process of unearthing the music, or gending, and the dance movements. The arrangement process involved the interpretation of all the different components making up the Bedhaya Endhol-endhol dance, in order to create a new form of Bedhaya dance that is childlike -mbocahi-. The new form of Edhol-edhol resulted from its reconstruction shows that Gusti Kanjeng Ratu Wandansari has used her authority to restore the dance that had formerly disappeared.

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