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The abundance of images in our everyday lives- and the speed at which they are consumed seems to have left us unable to critique them. To rectify this situation, artists such as Daniel Richter and ArturZmijewski have demonstrated that painting is brilliantly equipped to produce ‘slow images’ that enable, encourage and reward reflection. Here, Helen Westgeest attempts to understand …
Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA’s early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibitio…
The dry, wrinkled skin, crow’s feet and rheumy eyes of old women can be seen universally, yet the actual images and their meaning differ widely. And, the very absence of these old women in certain settings also reveals both a discomfort with the aged and an ease in their invisibility. This is true in writing about art and often in the art itself. The physical markers of aging, even impl…
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and k…
When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet, things are often more complicated. A building defines an exterior space just as much as an interior, and what we perceive to be ornamental and marginal to a given…
The Present Prospects of Social Art History represents a major reconsideration of how art historians analyze works of art and the role that historical factors, both those at the moment when the work was created and when the historian addresses the objects at hand, play in informing their interpretations. Featuring the work of some of the discipline’s leading scholars, the volume contains…
The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising motorised leisure, scientific progress, and social and sexual emancipation. This is a pioneering history of these periodicals, focusing on two of the leading European titles: the German monthly UHU, and the French news journal VU. This book is the first major study of UHU, and the first scholarly…
The map, as it appears in Gilles Deleuze’s writings, is a concept guiding the exploration of new territories, no matter how abstract. With the advent of new media and digital technologies, contemporary artists have imagined a panoply of new spaces that put Deleuze’s concept to the test. Deleuze’s concept of the map bridges the gap between the analog and the digital, informa…